Philharmonie de Paris - Grande salle Pierre Boulez
LES MURMURES DE LA forêtTuesday, october 15th 2024 - 8pm
Marie Perbost, soprano
Case Scaglione, direction
Orchestre National d’Ile-de-France
Rita Strohl is an atypical personality in the history of music. Attracted as much by the world of Wagner as by symbolism, she composed an immense amount of deeply romantic chamber music in her youth, before ‘getting in touch with the times’ (in her own words) at the turn of the twentieth century. She made abundant use of the ‘six-tone scale’ in her works of the 1900s, a period exemplified by the virtuoso Musiques sur l’eau piano cycle. With Les Cygnes and the Symphonie de la Forêt, Rita Strohl continued this turn towards more symbolist writing, centred on the search for ‘a kind of identification of the soul with nature’. While her Bilitis cycle of melodies, based on poems by Pierre Louÿs, had been a great success with the public and critics alike in 1900, the press seemed neither to understand nor appreciate this new language. The Symphonie was sometimes criticised for its ‘exasperated modernism’ and sometimes described as ‘odious, indigestible music’. Camille Chevillard had warned her before the premiere of the Symphony: ‘Your music is too new; you must expect everything from the public’.
PROGRAM

MURMURES DE LA FORÊT
ANTONIN DVOŘAK (1841-1904)
Concerto for cello
RITA STROHL (1865-1941)
Les Cygnes
Symphonie de la Forêt
DISTRIBUTION
Case Scaglione, direction
ONDIF
MARIE PERBOST
Encouraged from an early age by her singer mother, Marie Perbost joined the prestigious Maîtrise de Radio-France, where she performed in France and abroad under the baton of the greatest conductors (Kurt Masur, Myung Wung Chung…). After graduating from the Conservatoire National Supérieur de Paris, she studied with Alain Buet and Cécile de Boever, where she discovered the subtleties of the profession of opera singer. She completed her training at the Académie de l’Opéra National de Paris.
In 2016, she was named Révélation Lyrique by ADAMI. After obtaining a master’s degree with unanimous acclaim, she perfected her skills at the Academies of the Festival d’Aix-en-Provence (where she received the Prix des Amis du Festival d’Aix) and the Salzburg Festival, where she was lucky enough to sing her first Pamina in Mozart’s The Magic Flute. A regular performer, she has attracted the attention of prestigious conductors such as Emmanuelle Haïm and Le Concert d’Astrée for an international tour. She has also been a guest at major festivals such as Les Folles journées de Nantes, Le Festival des forêts, Festival d’Aix-en-Provence, Théâtre des Champs-Elysées, Festival Pablo Casals, etc.

CASE SCAGLIONE
Case Scaglione has been named Music Director and Principal Conductor of the Orchestre national d’Île-de-France in 2019. On the strength of his successful artistic collaboration with the Orchestra, he has been reappointed until August 2026.
He is a graduate of the Cleveland Institute of Music, the Peabody Institute and the Aspen Academy of Conducting, where he was awarded the James Conlon Prize. A passionate opera fan, in spring 2022 he made his debut at the Opéra national de Paris with Richard Stauss’s Elektra, directed by Robert Carsen. He also conducted Wagner’s Le Vaisseau fantôme at the Opéra de Massy with the Orchestre national d’Île-de-France. He has conducted the Württembergisches Kammerorchester Heilbronn at the Concertgebouw in Amsterdam, the Musikverein in Vienna and the Herkulessaal in Munich. With this orchestra, he recorded the symphonies by Carl Ditters von Dittersdorf based on Ovid’s Metamorphoses and ‘Father Copland’ with clarinettist Sebastian Manz. In December 2023, he has been invited to conduct Mahler’s Fifth Symphony with the Cincinatti Orchestra.
ORCHESTRE NATIONAL D’ILE-DE-FRANCE
The mission of the Orchestre national d’Île-de-France is to bring the symphonic repertoire to life everywhere and for everyone in the Ile-de-France region, and to make it accessible to everyone.
With 95 permanent musicians based at the Philharmonie de Paris, the Orchestre national d’Île-de-France gives around a hundred concerts a season throughout the region, offering the people of Ile-de-France a rich repertoire spanning four centuries of music. The orchestra pursues an ambitious and open artistic policy, based on regular collaborations with a wide range of artists from diverse backgrounds. It promotes and supports contemporary creation by welcoming composers in residence such as Anna Clyne, Dai Fujikura and Guillaume Connesson, for commissions of symphonic works, opera performances and musical tales to enrich its repertoire. In 2019, Case Scaglione will succeed Enrique Mazzola as Music Director and Principal Conductor. A fervent defender of the orchestra’s mission, he enjoys sharing his passion for the symphonic repertoire with as many people as possible. Proud to be one of the twenty orchestras in the world most involved in cultural action, the Orchestra imagines and develops creative educational initiatives that place children at the heart of the educational project – notably through numerous participatory concerts and musical performances for the whole family.
DO YOU KNOW
RITA STROHL?
Rita Strohl (1865 – 1941)
Solitude
Héloïse Luzzati, cello
Célia Oneto Bensaid, piano