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Clémence de Grandval, au cœur du romantisme français – ENG

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When Clémence de Grandval wrote to her mentor and friend Camille Saint-Saëns that she had "committed no crime other than being a woman", she had already fully established herself in the musical life of her time. A leading figure of French romanticism, she was an admired composer whose works were performed on major stages and honoured by the Académie des beaux-arts. Her music embraces every kind of ensemble, from chamber music to opera. Bringing together more than 100 artists, this portrait in four CDs offers a wide-ranging survey of her work, from the overwhelming Stabat Mater to the intimacy of her chamber pieces and songs.

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Andante et Intermezzo for violin, cello and piano (1889) * 6'51

Sébastien Surel, Héloïse Luzzati, Théo Fouchenneret

Romance et Gavotte for oboe, cello and piano (1884) * 7'10

Alexandre Gattet, Héloïse Luzzati, Théo Fouchenneret

Deux Pièces for clarinet and piano (1885) * 7'06

Raphaël Sévère, Jean-Frédéric Neuburger

Trio de salon for oboe, bassoon and piano (-) * 7'41

Alexandre Gattet, Julien Hardy, Théo Fouchenneret

Suite for flute and piano (1876) * 21'48

Mathilde Calderini, Guillaume Bellom

Valse mélancolique for flute and harp (1891) * 4'40

Mathilde Calderini, Constance Luzzati

Lamento et Scherzo for oboe and piano (1877) * 8'44

Alexandre Gattet, Théo Fouchenneret

Quatre Pièces for English horn and piano (1885) * 12'26

Alexandre Gattet, Théo Fouchenneret

Sonate op. 8 for violin and piano (1851) * 24'11

Raphaëlle Moreau, David Kadouch

Chanson d’autrefois [Guillaume Costeley] (1890) * 2'58

Camille Chopin, Célia Oneto Bensaid

La Source [Anna Maria Lenngren, translation Xavier Marmier] (1851) * 2'32

Camille Chopin, Célia Oneto Bensaid

Pensée d’amour (-) * 2'30

Camille Chopin, Célia Oneto Bensaid

Menuet [Fernand Gregh] (1901) * 1'52

Camille Chopin, Célia Oneto Bensaid

Hébé, lyrical scene for soprano [Paul Collin] (1892) * 4'26

Camille Chopin, Célia Oneto Bensaid

Deux Pièces for violin and piano (1882) * 7'04

Raphaëlle Moreau, David Kadouch

Villanelle for voice, violin and piano [Jean Passerat] (1877) * 5'53

Fiona McGown, Raphaëlle Moreau, David Kadouch

Au bord de l’eau [Sully Prudhomme] (1884) * 2'29

Fiona McGown, David Kadouch

À l’hirondelle [Sully Prudhomme] (1884) * 1'48

Fiona McGown, David Kadouch

Le Vase brisé [Sully Prudhomme] (1884) * 2'54

Fiona McGown, David Kadouch

La Chute des étoiles [Charles Marie Leconte de Lisle] (-) * 3'39

Fiona McGown, David Kadouch

Trois Pièces for cello and piano (1883) * 13'15

Héloïse Luzzati, Théo Fouchenneret

Sacrifice [Sully Prudhomme] (1885) * 2'12

Coline Dutilleul, Flore Merlin

Le Galop [Sully Prudhomme] (1884) * 4'44

Coline Dutilleul, Flore Merlin

La Délaissée [Jean Du Boys] (1867) * 2'12

Coline Dutilleul, Flore Merlin

Chanson laponne [Armand Silvestre] (1893) * 3'08

Coline Dutilleul, Flore Merlin

Soupir [Sully Prudhomme] (1884) * 2'26

Coline Dutilleul, Flore Merlin

Scrupule [Sully Prudhomme] * 1'55

Coline Dutilleul, Flore Merlin

Prière [Sully Prudhomme] (1884) * 1'50

Coline Dutilleul, Flore Merlin

Les Trois Oiseaux [François Coppée] (-) * 2'09

Coline Dutilleul, Flore Merlin

En Automne [François Coppée] (-) * 1'39

Coline Dutilleul, Flore Merlin

Les Lucioles [Ernest-Wilfrid Legouvé] (1866) * 2'48

Coline Dutilleul, Flore Merlin

Chanson d’exil [François Coppée] (-) * 1'45

Coline Dutilleul, Flore Merlin

Deuxième Grand Trio for violin, cello and piano (1853) * 31'52

Trio Zeliha : Manon Galy, Maxime Quennesson, Jorge González Buajasán

Stabat Mater (1870) 65'39

For 4 solo voices and choir, with piano & harmonium